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Exploring the Beauty and Spirit of Bali: Culture, Fashion, and Hidden Gems

The Fascination with Balinese Temples and a Journey to the Magical Pura Batukaru

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One of the most enchanting features of Bali, and a vital component of Balinese daily life that even short-term visitors inevitably encounter, is the Balinese temple—a true cornerstone of the island’s culture and its fairytale-like ambiance. Often referred to as the ‘Island of a Thousand Temples’—though this number represents only a tiny fraction of the actual count—Bali is home to countless temples, each offering insights into the island’s more nuanced aspects. These temples serve as windows into the depth of Bali’s extraordinary temple culture and timeless traditions, embodying the eternal struggle between good and evil, where the divine and eternal meet the mortal and transitory to recharge, rejuvenate, reinvent, and regain momentum.


The Balinese way of life is profoundly ritualistic, characterized by elaborate practices of worship, daily offerings, and meticulous preparation and distribution of these offerings both within and outside homes and temple compounds. Daily offerings and prayers at home shrines and public temples permeate Balinese life and every aspect of its spiritual tradition. Propitious days according to the Balinese calendar, such as full moon, new moon, and the special Kajeng Kliwon day, which occurs twice each month, or larger ceremonies held mostly twice annually, are marked by elaborate offerings, joint temple prayers, and various expressions of devotion and sacrifice to the divine in its many forms. These large ceremonies, theatrical in nature, transform the temple grounds into sacred stages where visual and mystical drama unfold spontaneously, with masked actors displaying remarkable talent. The masks, imbued with magical powers, cast a spell on the actors, transforming them into mediums for the spirits and celestial beings they represent, conveying the perpetually unfolding dramas in the invisible realms.

Approaching Pura Luhur Batukaru, nestled at the foothills of Mount Batukaru in Tabanan, feels like entering a hidden, fantastical world, reminiscent of the fairytale realms depicted in Tolkien’s tales of Hobbits. Leaving behind the last mountain village on the route to the temple, visitors embark on a breathtaking, kilometer-long journey through a lush tropical forest. This sanctuary, teeming with towering trees, diverse ferns, orchids, and mosses, buzzes with the vibrant sounds of birds and wildlife, acting as a natural barrier. It’s a zone of magical stillness, effectively separating the mundane from the mystical aura that envelops the temple.

Pura Luhur Batukaru is esteemed as one of the revered Sad Kayangan Jagat temples – the Six Temples of the Universe — and is considered by some to be the oldest temple in Bali. Legend has it that it was constructed in the 11th century by the revered sage Mpu Kuturan, who is credited with establishing a network of protective temples across Bali. He also played a pivotal role in uniting diverse faiths under the unique Balinese fusion of the Shiva-Buddha religion. This syncretic faith features a complex system of offerings and ceremonies designed to invoke and celebrate the divine.

The ancient origins and historical depth of Balinese temples are palpably present in their atmosphere, and notably across the entirety of Bali — the last bastion of the ancient Shiva-Buddha civilization. Much of this history is cloaked in mystery, making the exploration of the origins of Bali’s remarkable temple culture a daunting, if not impossible, task. Yet, the allure and charm of these temples captivate many.

This is particularly true for Pura Luhur Batukaru, where the magical aura, ancient stone statues and shrines, along with other magnificent artifacts, some weathered by time, showcase breathtaking grandeur and evoke a profound sense of mystery. At the peak of worship and prayer, the indescribable beauty of the Balinese temple — a dwelling for the gods — uplifts the spirit and leaves an indelible mark on the soul.


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